|
|
| Romy the Cat's
personal site dedicated to advanced audio and evolved music reproduction
techniques
|
|
 |
|
|
|
|
|
Interesting that problems Harley isolated in this case (pits and lands; turntable) were physical/mechanical, utimately "analog", in that sense. I'm glad someone has stayed after it, but not sure how to put this revelation to work to get better Music ...
|
|
I do not know why people are fighting, arguing and spend money and time in search and improving of for better sources for audio playbacks. I listen to edgy and mechanical digital, to amorphous and temporarily tapes, to the tacky and fastidious ...
|
|
Thanks for the wise advice Romy. I'm curious to know if you have ever recorded those broadcasted live events. I guess you've done for sure but I'd like to know if you've found open reel, cassette, CD-R or any other recording method most suitable...
|
|
Amir,an audio event can be anything that our ears hear. It can be live music, a baby crying, a recording, playback in the car.Playback is much different than live music - especially if we are familiar with the recording. First of all, stereo does not...
|
|
Stefano, welcome to the club, not the GoodSoundClub but the club of understanding of what is going on.
The subject of drivers in Tailored Audio™ is complicated and one of the biggest problems in this complicity is to defeat the attitude of judgment ...
|
|
Hi Romy:
I am trying to build up a good audio system on a budget and have enjoyed reading about your philosophical approach to music and music reproduction.
I will not waste time with "what to buy" equipment recommendations in magazines or th...
|
|
Well, surely everything might be explained, or more precisely to say justified, by the presumptions that all listeners practicing audio may seeking subjective experiences that reflect variable neurophysiology of various individual brains. I wou...
|
|
Romy wrote :
"...I feel music should not be well ILLUSTRATED but rather Music should be IMPLIED..."
"...That is why I do not appreciate when sound acts as a very high resolution painting with superb details, painted by a microscopic brush by a ve...
|
|
I was watching (probably a third of it as it was empty-minded) this clip…
http://uk.youtube.com/watch?v=SY5hI98HEi0
… and had a strange feeling: what the incredible collection of idiots self-preacupated with own blind righteousness! It ...
|
|
Hi Romy, Just a couple comments on recorded quality and dvds. If you have a chance try to find the DVD called Eroica put out by the BBC a couple of years ago. It is a quasi-reinactment of Beethoven's unveiling of his new masterpiece...
|
|
>You might
built better audio or learn to develop more sensitive perception and
you end up with the same results. This why I, staring from a certain
level, refuse to combine audio and music and feel that audio resole
own purely “abstract audio” ...
|
|
Make an experiment. Take any of those contemporary “highly reputed playback systems” and roll of their HF and LF unit you reach gramophone bandwidth. You might narrow the bandwidth with electric (LC) filers or with mechanical filers it would not be r...
|
|
While I feel like the layout of an orchestra is a sort of sacred thing, I will never the less put forth the following question :
Is the layout of an orchestra time aligned?
Whenever I attend a performance where classical music is played by an orc...
|
|
To me, audio neutrality is a very difficult idea to express. Fundamentally, all audio recording and reproduction is a terribly compromised and flawed system. An analogy might be to record the sound of children laughing and playing, splash...
|
|
[quote user="Paul S"] The truth is that if most of the seekers at this site knew what they were really in for by "copying Romy", then they would be wise to give up now.[/quote]
Well this is part of a bigger subject. I have a written and extend...
|
|
Ironically, and in contrary to the believers of many audio freaks, there are very little differences between the conditions responsible for a great live musical performance and great audio performance.
During live musical events we certainly need sk...
|
|
It is what I hate the most among typical Audio Morons: they are willing to clown like idiots on any subjects and invent within their sick and frighten minds the imaginary Nuremberg tribunal but they at the same time are completely disabled to und...
|
|
If time (Endo-san and mine...) will allow, I should also visit Endo Labs of ALE fame... sure I'll have a listen to a 4 ways system in Tokyo area with bass driver and concrete horn.Re. "tilted high frequencies"... no, Roman, it's not me experiencing s...
|
|
You know, it surprises me how much less fan to listen my playback without ULF. Nope, the playback does not sound bad from audio perspective without ULF but it for sure a bit different experience. From a certain perspective to be in a room with U...
|
|
[quote user="Romy the Cat"]I am glad that Fane “now found … that they have sufficient old stock of the 8 ohms or 16 ohms voice coils to”. Such a phenomenal discovery of the British archeologists. Can you ship them here in US, they can help us to fin...
|
|
Yes, this English pace did not give a lot of new information. I know nothing about the AudioTekne Company. I like that they wrote about their bass driver but I do not know how much truth and the actual results behind it. I do think that they wor...
|
|
[quote user="Serge"]Silbatone used a WE horn to play in mono and a pair of their own horn cabinets for 2-channel.The very cinema sound reinforcement looking horn was, I was told, a 16B. I will post some comments about the sound a bit later. [/quote]T...
|
|
Audio and Music: four levels of unity and separation or… ...or a short and slightly dipped into Dostoevsky essay about Audio inevitability in case of …an Audio progress. K???? ? ??????? ?? ???????????? ?? ??? - ?????? ?? ???:O?? ?????? ??? ?????...
|
|
[quote user="Antonio J."] But having some ideas of the sonic attributes that accomplish that "feeling" would be very helpful. So you couldn't help that someone listening to such a system wanted to build a clone of it. [/quote]I do not think it is pos...
|
|
[quote user="N-set"]
If I read you correctly the big midbass did not release the "intellectual tension/demand" of Macondo/Milq. Perhaps I'm wrong or oversimplifying but it seems to me that at least a part of your "problem" with Macondo is an i...
|
|
I sometime try to address broad and purely abstractive audio issues, still without a big hope then it would be properly understood or properly interpreted by most of the readers, not to mention anyone else. An average audio person do not need a broad...
|
|
[quote user="twogoodears"]Maybe someone read this http://twogoodears.blogspot.com/2009/05/we-437-based-phono-stage-solid-rock-did.html, worth reconsidering its design - also (partially) using WE 437A - after the last posts discussion at Roman's.....
|
|
[quote user="de charlus"] I propose to array the drivers, and horns, as laid out beneath, from top to bottom;Ale Acoustics 160Super (15hZ-1000hZ, 110db/w)15hZ - 150hZ Lower bassVitavox AK 151 (50HZ-8kHZ, 100db/w) 150hZ - 350hZ Upper bass...
|
|
|
|
|
All context of this site except the Forum's posts
Copyright © Roman Bessnow 2004-2024
All messages within the Site’s Forum Copyright © by
authors of the posts
|
|
Last 24-hours posts: |
2 |
|
 |
|
|
Total human visitors: |
42,949,920 |
|
|
|
|
|
|